Here, as a slave to incessant cultural artifacts that pervade my imagination, I have surrendered my familiarity of organic proportions to pneumatic systems. On Side A, I altered a palette of sonorous events thrust from their originary sources, mangling 36 hours of long-form, freely associative material into six mutant minutes.
Out of respect for the dead, I choose not to expound on side B. Such has been my absurd attempt to document - and cope with - genetic memory while composing practical new language through schizophonic and gestural appeal.
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