These are field recordings collected from varying places, times and locations in Hobart. I've been working with sound for over ten years and in that time, I have become more intrigued by the actual notion of recording itself. Recording a temporal event, place, thing; recording time itself. Recordings, mediated through various microphones, speakers and so on, somehow still convey something of that event regardless of the displacement of time and location that has occurred.

Perhaps this is a simultaneity formed through the listener's context. Times and locations that are simultaneously within reach, yet always once removed. These recordings exploit this tension between what we know of a place and what we imagine. Every time we listen, a displacement of time occurs again and again.

(Philip Sulidae, 21 December 2020)

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