Years back, I had been asked to play with a gig with Lack, an artist who I had been listening to and really began to admire, even emulate. When I met Phil, I asked if I could help him bring things into Win/Win on Spring Garden. He was quiet and very mild-mannered, which I attributed to my grating personality and worried I was bothering him. Thru the evening, after hearing an incredible set in a famously hard room to sound good in, I stood near Phil's merch table and told people which things to buy, as I had already become an ultra punisher of Lack fandom. Phil drank tea. I liked that.

Soon after, Phil asked that I make a record for his label Enmossed, that he painstakingly takes care of from his cabin in Maine. I was thrilled to make a whacked out record of blacked out VHS tapes melting, drum machine simplicity, and static that resembled a beat. Eventually, I made another tape for the same label, but by then Phil and I had become very close, speaking on a daily basis. He's someone I consider among my best friends. Since, Phil and I managed to play gigs together at other famously horrible rooms in Philadelphia and along the east coast (except Moon Villain in Boston and Brunner's apartment, that shit was the best.)

This is my first opportunity to return the favor. Phil has since dropped the Lack moniker and gone by his given name Glyn Maier. In the coming month of May 2021, with his remixes of the Silent Hill soundtracks 1-4 (with a b side of nature processes layered on the original mix), I will get the fine opportunity to share this unbelievable ambient "mixtape." 



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